"At theatres, festivals, art galleries and bookshops, women's work is being pushed to the margins....
We no longer live in an age where female thinkers, writers, philosophers, academics, artists, theorists, activists or politicians are rare. [And yet...] The discrimination is obvious. All you have to do is count. It's all the more galling given that women equal or outnumber men as attendees of arts festivals, concerts, readings, discussions and debates, and as arts and humanities students at university. Women write, read, edit and publicise more fiction than men. Women make up the majority of executive, PR and organisational staff in arts and cultural institutions. Women's ticket revenue, licence fees, book purchases and entrance fees are being used to fund events at which women artists and thinkers are marginalised with breathtaking obviousness....
So what's the solution? The establishment, patriarchy, the mainstream, whatever you want to call it, just doesn't find women interesting. It makes sure that women are heavily outnumbered from the very beginning by offering us only a fraction of available opportunities, slots, placements, commissions, trips, panel places, star jobs, reviews. Later, it conveniently uses this to claim that there are not enough women "out there" to make a stronger impression higher up. It talks down women's work. It is supported by a false mythology about the weakness, inconsistency, subjectivity and inconsequentiality of women's creation, experience and perspective."
If you want to count, and if you want to read her solution, here's Bidisha, writing for the Guardian: "tired of being the token women." (ht