Showing posts with label original / reinterpretation. Show all posts
Showing posts with label original / reinterpretation. Show all posts

Friday, October 31, 2008

The Birth of 'Frankenstein'

THE CHRONICLE OF HIGHER EDUCATION
EDUCATION REVIEW
http://chronicle.com/weekly/v55/i11/11b01201.htm

The Birth of 'Frankenstein'

A new edition of the novel sheds light on the Shelleys' collaborative relationship

Nobody shouts "It's alive!" in the novel that gave birth to Frankenstein's monster. Frankenstein, or the Modern Prometheus, does not feature mad scientists messing around with beakers in laboratories, nor does it deliver any bug-eyed assistants named Igor. Hollywood has given us those stock images, but the story of the monster and his maker owes its essential power to the imagination of an 18-year-old woman and the waking nightmare she had by the shores of Lake Geneva one rainy summer almost 200 years ago.

If, that is, you believe that Mary Wollstonecraft Shelley really was the genius behind one of our most enduring tales of existential horror. Almost from the moment that it was published anonymously on New Year's Day 1818, Frankenstein had readers and critics arguing over its origins. Early rumor held that it wasn't Mary Shelley but her husband, the Romantic poet Percy Bysshe Shelley, who deserved the credit. (Or the blame; some early readers were outraged by the novel's idea that a man could play God and create life.) Even after the couple confirmed Mary's authorship and her name appeared on new editions in 1823 and 1831, some critics held on to the idea that Percy was the guiding spirit behind Frankenstein....

That's where the debate heats up. How much of a participant was Mary Shelley's better half? Should Percy be considered a co-creator of her masterpiece? Was he a co-opter of her genius? Was he Mary's Svengali, her Max Perkins, or merely a good copy editor?

Thanks to the dogged textual work of a scholar named Charles E. Robinson, a professor of English at the University of Delaware, readers will now be able to see for themselves what Mary wrote before she turned it over to Percy's editorial ministrations....

In her introduction to the 1831 edition, Mary Shelley claimed the novel as her own. She also acknowledged that Percy's influence on it was very real. "I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world," she wrote. (She went on to add, however, that the preface to the first edition — ostensibly written by the author — was Percy's work "as far as I can recollect.")

In the eyes of some contemporaries, Mary's gender was enough to disqualify her as Frankenstein's author. "The first reviews were completely unprepared to entertain the possibility that the anonymous author of such a heterodox, nearly blasphemous work (it had trouble securing a publisher) could be a young woman," wrote Wolfson in "Reconstructing Frankenstein," a 1998 review of Robinson's Frankenstein Notebooks....

Monday, October 27, 2008

Translation: Your Mama Music from James Taylor

A friend gave me James Taylor's new CD "Covers" this weekend at her husband's birthday party (which, because of her gift, doubled as a getting the diss-draft-to-committee party for me too. Anyway). The whole "album" makes me think about "translation." One thing JT writes on the insert is this:

I've always thought that
writing an original song and reinterpreting
someone else's were similar processes; just
as making music is a lot like listening to it.


One of the tunes he sings with Caroline Taylor is "Sadie," by The Spinners. You can listen to that "original" on youtube here. And you can listen to the free snippet of the JT translation here at Starbuck's http://www.hearmusic.com/#PRODUCT395. And JT's producers let you hear and watch him and his band make "Sadie" here at his official web site http://www.jamestaylor.com/covers_video.php.

Pay close attention to what JT says on his video:

Sadie is sort of an odd tune to choose. It’s a Spinners’ tune, and uh I assume that it’s uh about Philippe Wynne’s mom. In a post-Freudian world, people are sort of phobic about singing songs about Mom. But we always loved it because it’s a great choral song.

But doesn't that make you remember him singing about his own Mama, in Portuguese, in "Only a Dream in Rio." Remember?

Quando a nossa mae acordar
Andareimoz au sol
Quando a nossa mae acordar
Cantara pelos sertao
Quando a nossa mea acordar
Todos os filios saberao
Todos os filios saberao
E regozilarao


I think it was Milton Nascimento or Fernando Brant or James Taylor himself who offered this translation:

Quando a nossa me acordar
When our mother awakes
Andaremos ao sol
We shall walk in the sun
Quando a nossa me acordar
When our mother awakes
Cantar pelo serto
She shall sing in the wilderness
Quando a nossa me acordar
When our mother awakes
Todos os filhos sabero
All her children shall know
Todos os filhos sabero
All her children shall know
E regozijaro
And they shall rejoice


So here's Sadie again, translated, reinterpreted, especially as you listen. Listen / make music / remember your mother in this "post-Freudian" world:

Sadie

In a world like today
Its a rare occasion to be able
To see young mothers like the ones
That were around when I grew up
But they live on in memory
To quite a few of us
And this song is dedicated
To those who cherish that memory

Early one Sunday morning
Breakfast was on the table
There was no time to eat
She said to me, Boy, hurry to Sunday school

Filled with her load of glory
We learned the Holy story
Shell always have her dreams
Despite the things this troubled world can bring

Oh, Sadie
Don't you know we love you
Sweet Sadie
Place no one above you

Sweet Sadie (Well, well, well)
Living in the past
Some times it seems so funny
But no money will turn your life around

Sweeter than cotton candy
Stronger than papas old brandy
Always that needed smile
Once in awhile she would break down and cry

Some times shed be so happy
Just being with us and daddy
Standing the worst of times
Breaking the binds with just a simple song

Oh, Sadie (Oh, Sadie, baby)
Don't you know we love you (Shell love us all in a special way)
Sweet Sadie (Well, well, well)
Place no one above you

Sweet Sadie (Sweet Sadie livin in the past)
Living in the past
Oh, she's never sinnin
In love she's always winnin, yeah

Sadie (My, my, my, my, my)
Don't you know we love you (I love you, mama)
Sweet Sadie
Place no one above you (I just cant forget)

Sweet Sadie (How you gave me love, oh, Lord)
Living in the past
If there's a heaven up above
I know she's teaching angels how to love

Sadie (Its a mean world without you)
Don't you know we love you
Sweet Sadie (All the love you showed)
Place no one above you


(Warner-Tamerlane Publ. Corp. (BMI))